When Stanley Kubrick Banned His Own Film, A Clockwork Orange: It Was the “Most Effective Censorship of a Film in British History”
"What in hell is Kubrick up to here?" asked Roger Ebert in his original 1972 review of A Clockwork Orange, whose marketing announced it as a film about "the adventures of a young man whose principal interests are rape, ultra-violence, and Beethoven." How could this acclaimed director really want to involve us in the "psychopathic […]
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